Killer (Birth of the Universe)

Poised on a weighty, dark plinth, the work stages a quiet drama between mass and incision: a pale, dome-like stone form—softly veined like memory—appears to be pierced by a sleek black blade that reads at once as tool, fin, and omen. The chromatic restraint heightens the sculpture’s emotional charge, letting the tension between the luminous, vulnerable body and the matte, assertive vertical gesture become the true subject. In this compressed encounter, the piece suggests both a threshold and a wound—an image of emergence where creation and violence share the same edge.