


Suspended within a circular field, the painting reads like a compressed city of sensations—brick-like marks and fractured planes building and collapsing at once. A dominant blaze of orange rises like a fevered sky, while submerged blues, blacks, and acidic yellows pulse beneath it, suggesting memory and lived experience pushing through the surface. The round format turns this into a contained cosmos, where turbulence is held in balance, and the viewer is invited to witness how chaos can become structure through repetition and layered touch. In its restless geometry, the work proposes an inner metropolis: not a place, but a state of being—charged, resilient, and perpetually becoming.







