Untitled Yo (Abstract in Brown and Blue)

Suspended in a field of burnished ochre, fractured planes of turquoise, milky white, and deep umber emerge like half-remembered landmarks, hovering between presence and erasure. The composition relies on soft-edged collisions—gestural smears and scraped passages—so that light feels less like illumination than an internal seep, gradually revealing what the mind insists on completing. Negative space is not emptiness here but a warm atmospheric pressure, holding the scattered forms in a tense, lyrical balance. The work reads as a meditation on memory’s architecture: how meaning assembles from remnants, and how clarity is always shadowed by what slips away.