Untitled 14 (Untitled)

This composition unfolds like a memory reconstructed from shards—interlocking planes of ochre, sand, and misted blue that suggest bodies in motion without surrendering to literal certainty. The rhythmic layering of translucent shapes and scored geometric underdrawing creates a quiet tension between organic curves and architectural order, as if the figures are negotiating space rather than occupying it. Light is not cast but embedded, seeping through the pigments to imply intimacy and distance at once, turning the scene into a meditation on presence, fragmentation, and the way perception edits what it cannot fully hold.