Untitled 2

This work builds a quiet architecture of overlap—translucent planes of ember-red and soot-violet stacking like remembered rooms, where edges never fully resolve and certainty feels deliberately postponed. A thin horizon of heated light cleaves the composition, suggesting both dawn and warning, as if illumination must pass through layers of obstruction before it can be trusted. The granular surface and shifting transparencies turn space into a psychological field: depth is not depicted so much as negotiated, inviting the viewer to inhabit the tension between concealment and revelation.