Untitled 2 (Untitled 3)

This work suspends the viewer between atmosphere and ground, where broad veils of ochre and ember hover over a cool, horizontal pulse of blue that reads like a distant shoreline of memory. The composition is built from softened bands and scraped passages, allowing light to seep through the paint as if time itself has worn the surface into transparency. Its restrained geometry and shifting tonal temperature suggest a quiet negotiation between heat and calm—an inner weather system that speaks less of place than of states of becoming.