Untitled 252 (Intersecting Planes)

This composition reads like a fragment of architecture remembered rather than observed—planes of warm ochre and sunlit orange press against cooler, bruised greys, creating a tension between shelter and exposure. Angular scaffolds and slanted beams guide the eye through a shallow, suspended space where forms nearly resolve into objects, then dissolve again into painterly abrasion. Light behaves as both revelation and erasure, bleaching certain passages to near-emptiness while leaving others sedimented with shadow, as if time has stained the structure. The work ultimately suggests an interior state: a place under construction in the mind, where certainty is bracketed by drift and the promise of emergence.