Untitled 4

This painting unfolds like a submerged landscape of memory, where deep mossy greens are interrupted by cool slate rectangles that hover like sealed windows into another register of time. The composition relies on veils and erasures—dragged pigment, bruised edges, and thin linear incisions—so that space feels simultaneously built and dissolving, as if the image is struggling to surface through layers of sediment. Light is not depicted but sensed: it leaks in as muted pale patches, suggesting brief clearings within an otherwise dense emotional weather. The work reads as a meditation on concealment and persistence, where abstraction becomes a quiet archaeology of what has been overwritten yet refuses to disappear.