Untitled 1 (Gridwork)

A cool, disciplined lattice of pale grays is interrupted by an assertive diagonal wedge, as if an unseen architecture is sliding into view and insisting on its own direction. Thin seams of ochre and electric blue behave like illuminated conduits, suggesting circulation—data, traffic, or breath—moving through an otherwise muted civic skin. The repeated squares create a steady, almost bureaucratic rhythm, yet the overlay of darker bands fractures certainty, turning the grid into a metaphor for systems that both organize and constrain. In this tension between order and interruption, the work feels like a meditation on modern structure: precise, impersonal, and quietly charged with latent motion.