Untitled 3 (Gridlock)

This composition stages a quiet drama between an orderly lattice and bold, diagonal bands that cut across it like structural ribs, suggesting an architecture of thought being built and dismantled at once. Muted sand tones soften the ground into a breathable field, while the blues—ranging from inky to electric—assert a cool, measured tension, as if logic is trying to contain a restless current. The repeated grid reads like a system—calendar, city plan, or woven textile—yet the interruptions and overlaps imply lived experience pressing through the neatness of design. In its restrained palette and decisive geometry, the work becomes a meditation on control and permeability: how frameworks guide us, and how movement inevitably rewrites them.