Untitled 2 (Triptych in Teal)

This composition distills architecture into a quiet grammar of planes, where cool aquas and milky whites hover like light filtered through frosted glass. The triptych-like structure—two steadfast vertical fields flanking a softened central void—creates a measured rhythm of presence and absence, suggesting corridors, thresholds, and the psychological spaces between them. Subtle tonal shifts refuse spectacle, inviting contemplation of containment and openness as twin conditions of modern life, where serenity is built from restraint. The work’s stillness becomes its narrative: a meditative pause in which geometry feels less like structure than a softly held breath.