Untitled 11 (Mountain Village Night)

This abstract composition stages a quiet collision between a brooding, slate-black ground and a flare of ember-orange brushwork that cuts diagonally like a sudden memory breaking through dusk. The artist’s layered, scumbled strokes create a sense of tectonic movement—forms sliding, resisting, then yielding—while the small, shimmering cluster of blue-white marks near the base reads like a distant city or constellation, fragile but insistent. Light here is not descriptive but psychological: it arrives in flashes, suggesting resilience and orientation within an atmosphere of uncertainty, as if meaning must be assembled from fragments. The painting holds tension between turbulence and refuge, inviting the viewer to linger where darkness becomes a field for sparks of order.