



This geometric abstraction orchestrates a disciplined field of angled tiles into a centrifugal pulse, where the eye is repeatedly drawn to a quiet central nexus and then flung outward by rhythmic diagonals. Saturated reds, blues, and ochres ignite against the sober graphite ground, creating the sensation of light breaking through an engineered gridβorder made luminous, constraint made kinetic. The composition reads like a calibrated map of perception itself: a meditation on how structure can both contain and generate energy, turning repetition into a subtle, almost optical vibration.







