Untitled 211 (Shifting Horizons**)

A warm field of burnt orange holds the composition like a sunlit wall, against which fractured planes of grey and ochre assemble into an unstable architecture of memory. The painting’s sharp diagonals and layered wedges suggest construction in progress—forms repeatedly tested, revised, and partially erased—while thin linear accents act like nerves, conducting tension through the quiet. Between matte passages and luminous edges, the work stages a dialogue between permanence and collapse, as if the city of the mind were being rebuilt from its own rubble.