Untitled 2 (Himalayan Panorama)

This abstract composition suspends a dense, bruised mass of pigment between a cool blue upper atmosphere and a stark white void below, as though a city—or a memory—has been scraped down to its emotional sediment. Slashes of ember-orange and soot-black fracture the form, while the exposed canvas weave and dragged strokes create a tactile sense of abrasion, insisting on process as meaning. The downward drips read like gravity made visible: a quiet capitulation that turns unrest into elegy, allowing turbulence to bleed into silence. In this tension between saturation and emptiness, the painting suggests the persistence of lived intensity even as it dissolves toward erasure.