

This triptych-like composition stages space as a psychological chamber, where two dark, recessed panels flank a central aperture that reads like a corridor of compressed light. The measured bands of green and blue hover with an almost architectural calm, while the sharp white wedge in the center punctures the serenityβan insistence on exit, or an opening that is as unsettling as it is promising. By balancing strict geometry with soft atmospheric edges, the work turns minimal form into a meditation on enclosure and threshold, inviting the eye to move forward even as the shadows hold it back.







