Untitled 119

Broad planes of ochre and saffron press forward like sunlit walls, while submerged teal and umber strata recede, creating a quiet architecture of memory rather than a literal place. The composition hinges on a narrow, weathered seam that reads as a fissure or passage—an edge where warmth meets shadow and certainty gives way to depth. Scraped textures and softened transitions suggest time’s abrasion, turning the surface into a palimpsest in which presence and absence coexist, held in a poised, contemplative tension.