Untitled 126

This abstract composition breathes like a half-remembered landscape, where veils of blush and sand are scraped back to reveal warmer ochres and sudden pockets of cool blue—small interruptions that feel like lucid thoughts in a drifting reverie. The layered surfaces, with their torn edges and softened stains, suggest time working through memory: what is kept, what erodes, and what returns as trace. Light is not painted so much as uncovered, arriving through translucent passages that turn the picture plane into an atmosphere rather than a fixed scene. The result is a poised tension between tenderness and fracture, as if the work holds a quiet narrative of recovery stitched together from remnants.