Untitled 113

This abstract composition stages a quiet negotiation between earthbound ochres and a deep, migrating band of cobalt, as if a horizon line has been lifted and re-sewn across memory. Scraped passages and layered veils of paint create a geology of gestures—erosion, repair, and revelation—where light is not depicted but excavated from within the surface. The warm field presses forward with weight and time, while the cool blues hold a lucid, drifting distance, suggesting an inner landscape where stability and change continually exchange roles.