Untitled 114 (Golden Abstraction)

This abstract composition dwells in a burnished spectrum of ochres and saffrons, as if light itself has been ground into pigment and laid down in patient strata. Broad, weathered planes are interrupted by vertical fissures and bruised reds, suggesting thresholds—walls that both shelter and divide—where memory seeps through the seams. The surface feels excavated rather than painted, its scraped and layered textures turning warm color into a quiet register of time, resilience, and restrained urgency. In the tension between glowing fields and dark interruptions, the work holds a poised dialogue between solace and fracture.