Untitled 153 (Untitled 155)

Suspended within a haze of sun-warmed ochres, the composition assembles fractured planes like architectural memories—half-built, half-eroded—where sharp angles soften into translucent veils. A cool wedge of turquoise interrupts the field as a breath of distance, while the central cluster of faceted forms suggests both vessel and shelter, poised between departure and arrival. Thin maroon strokes read like quiet sutures, binding the shifting geometry and hinting at an underlying order that steadies the painting’s dreamlike instability. The work ultimately feels like a meditation on perception itself: how light edits space, and how the mind rebuilds fragments into meaning.