Palax (Symphony in Orange)

This mixed-media abstraction ignites the surface with molten yellows and embered reds, as if the canvas itself were a field of heat where matter is continuously being forged. Geometric intrusions—disks, triangles, and a measured chain of dots—act like a private cosmology, imposing order on a turbulent ground while never fully taming its restless energy. The tactile layering and scarred translucencies suggest memory sedimented into pigment, where each shape becomes a relic of impact, orbit, and return. In the tension between improvised gesture and calibrated form, the work proposes a metaphor for modern experience: systems trying to stabilize the beautiful volatility of lived sensation.