Untitled 152 (Untitled 156)

A wide field of ochre light anchors the composition like a sunlit floor, while above it a veil of translucent forms—part architecture, part memory—floats in a muted, atmospheric haze. Angular diagonals and thin linear accents slice through the softness, creating a quiet tension between structure and dissolution, as if the scene is being assembled and erased at once. The palette’s warm golds against cool greys and pale blues suggests a psychological interior: a space where clarity briefly flares, then recedes into reverie, leaving only traces of passage and presence.