Untitled 152

A vast saffron field of light opens like a remembered heat-haze, where forms emerge only to dissolve again, as if the scene is being revised by time itself. Angular planes and softened silhouettes press against one another, creating a tense architecture of memory—part interior, part horizon—held together by smoky transitions and sudden slashes of darker pigment. The restrained cool accents flicker like brief certainties inside an otherwise molten palette, suggesting that clarity is rare, and therefore precious. In this luminous ambiguity, the work reads as a meditation on perception: what we think we see is always edged by what slips away.