Untitled 205 (Cityscape Dreams**)

This painting stages a quiet negotiation between concealment and revelation, where broad veils of pale gray and sand-toned geometry soften the scene into memory rather than depiction. Warm ochres and sudden slivers of turquoise and crimson puncture the hush, like fleeting signals that keep the composition from dissolving into silence. The space feels architectural yet unmoored—planes overlap and retreat as if the work is mapping an interior state, suggesting that clarity arrives only in fragments, through light caught at the edges.