Untitled 151

A blazing orange atmosphere saturates the canvas like a heated horizon, while pale, misted planes cut across it to suggest a threshold between vision and memory. In the center, fractured geometric forms and a small, luminous triangular “sun” hover above a plunging void, turning landscape into a psychological precipice where stability feels provisional. The paint alternates between translucent washes and denser, bruised passages of gray and umber, creating a quiet tension between radiance and erosion, as if light itself is trying to heal a ruptured terrain. What emerges is a meditation on crossing—between day and dusk, certainty and doubt—where the eye is repeatedly drawn to the brink and invited to step inward.