Untitled 138 (Amber Horizon)

Suspended in a field of sun-burnished ochre, the composition opens like a geological cross‑section—its dark, hovering planes cleaved by a pale vertical fissure that reads as both passage and wound. Veils of smoky blue and bruised umber soften the hard geometry, while a single yellow stroke punctuates the surface like a flare of insistence, suggesting resilience within erosion. The work balances weight and levitation, inviting a meditation on thresholds: the moment where structure breaks, light enters, and meaning is reassembled from fragments.