On The Other Side 1

This work constructs a city from memory rather than masonry, stacking repeated rooflines into a pulsing lattice that feels simultaneously intimate and immeasurable. Warm earthen tones are punctured by cobalt and ember accents, as if private lights and passing currents briefly surface through the density of lived experience. The broken, mosaic-like brushwork turns architecture into atmosphere, suggesting an urban psyche where belonging and disorientation coexist in the same crowded breath.