Untitled 150 (Inner Reflection)

A warm field of ochres and sunlit yellows holds a landscape that feels both remembered and dissolving, as if the painting is reconstructing place from fragments of sensation. Angular planes of olive, umber, and chalky white press and recede, creating a quiet tectonic tension where edges behave like pauses in thought rather than fixed boundaries. Light seems to seep from within the forms, turning shadow into a soft reservoir of time and inviting the viewer to linger in the threshold between clarity and ambiguity. The work suggests an interior geography—part horizon, part shelter—where stability is constantly negotiated through gentle, deliberate dislocation.