



This triptych of earthen panels reads like a geologic diaryβstrata of rust, ochre, and smoked umber compressed into tactile fields where abrasion and accretion coexist. Thin, vein-like ridges cut across each surface as if fault lines or roots, turning the composition into a meditation on pressure, time, and the fragile architecture that holds a landscape together. The intermittent flare of vermilion functions as a buried ember, suggesting persistence beneath erosion, while the suspended spacing between panels introduces a breathβthree chapters of matter quietly shifting from heat to rupture to residue.







