Untitled 115 (Abstract Forms)

This abstract composition stages a slow collision between earthy umbers and incandescent reds, where broad planes feel torn, sutured, and reassembled into a precarious architecture of memory. The paint’s scumbled layers and bruised edges create a tactile sense of erosion, as if light is not illuminating the surface so much as leaking through its seams. Blocks of crimson act like emotional punctuation—assertive yet wounded—while muted violets and ochres recede into atmospheric depth, suggesting a narrative of resilience built from fracture. In its uneasy balance of opacity and disclosure, the work reads as an interior landscape: a threshold between containment and release.