Untitled 176 (Diptych)

This diptych stages a quiet collision between crystalline geometry and dissolving atmosphere, as if architecture is being remembered rather than observed. Cool blues and sun-baked ochres establish two emotional climates—one anchored and lucid, the other bleached into near-erasure—while sharp triangular planes cut through veils of haze like fragments of certainty. The composition’s shifting focal points suggest a city or settlement in the act of becoming, where structure and light negotiate what can be held and what must drift away. In that tension, the work reads as a meditation on perception itself: the way places persist as angles, shadows, and luminous gaps long after their details have softened.