Untitled 152 (Golden Hour)

This abstract composition bathes the viewer in ochres and honeyed golds, where translucent veils of paint hover over firmer, angular planes like sunlit stone seen through dust and memory. The surface is worked and scraped, allowing buried strata to surface in flashes, while slender seams of blue act as cool interruptions—small thresholds that keep the warmth from becoming complacent. Space is constructed as a quiet architecture of overlaps and erasures, suggesting a landscape of inner weather: resilience layered over tenderness, illumination tempered by fracture. In its restrained drama, the painting reads as a meditation on time—how light both reveals and softens what it touches.