Untitled 138

This abstract composition stages a quiet collision between sun-bleached ochres and expansive blue fields, where layered planes feel like architecture dissolving into open sky. Scraped whites and translucent washes introduce a sense of weather and abrasion, as though memory has been repeatedly revised and partially erased. The space reads simultaneously as coastline and constructed form—an edge where certainty gives way to atmosphere—inviting the viewer to inhabit the interval between structure and surrender. In its restrained dynamism, the painting suggests a contemplative passage: building, unbuilding, and the luminous calm that remains.